The muddied uniformed woman walked into my kitchen, a steel cup of congealed redness in her hand. She tried to pour it into the sink.

I shook my head.

She sat on the floor, resting her head against my right thigh; darkened blood, flowing from her left ear, seeped through blue denim to chill my skin.

I rubbed my arms.

“Cold?” my fiancé said, frowning at me from across the table.

I glanced down at the woman.

Setting his fork down, he walked by her to stand behind me. “I’ll give you privacy.” He kissed my forehead, nose, lips… and spoke a soft “I love you” into my mouth.

“I need to clean up,” I said, after my fiancé left the room.

“Sorry,” the woman said.

“No need to be sorry.” I headed towards the bathroom.

I pulled my t-shirt over my head, and walked into the shower with my bra and jeans on.

Through the semitransparent shower curtain, I watched the woman sit cross-legged in front of my tub; her eyes fixed on the contents of her cup.

Once all the red had washed out, I struggled out of the wet clothes and wrapped myself in a towel.

The woman was trying to empty her cup in the toilet bowl. “Please,” she said, her marred hand extending the cup my way.

“You need that,” I told her.

“No,” she shouted, standing up and rushing through the door.

Hours later, the sound of steel landing hard on wood startled me awake. I smelled the woman. Keep your eyes shut. Think her away. But that never worked. I opened my eyes slowly, and rays of moonlight trickled through the bedroom window to outline the woman’s eyes—full of tears, blood and dirt, and just inches from my face.

I screamed.

My fiancé jumped out of bed. He knew not to touch me when I was like that. He called my name, from three feet away. “Look at me,” he said. “See me. I’m with you.”

“I see you. I’m okay.” My heart pumping wildly, my eyes averted from the woman and her silvery cup of blackened blood on my nightstand.

“You scare me sometimes,” he said, lying next to me.

“I scare me all the time.” I managed a grin.

“It’s frightening when I call your name, and your eyes are listening to things thousands of miles away. What if you stopped seeing me? Or… stopped loving me enough to want to see me at all?”

“I love you everywhere,” I said, “all the time.”

“Why?” He asked infinite questions with that word.

Wondering if he truly didn’t know, I said, “Because you ground me. You help me hold myself together. You know how to kiss my screams into song and fuel the bright that balances my dark. You remind me how amazing it is to be me. I’ll never stop loving that.”

He pressed his face between my breasts, and breathed.

I held him; and watched my eyes watch me, from a clean face, a torch overflowing with light in my healed hands.

Inspired by “Always”, winner of From Blackout Poem Bit to Flash Fiction or Full-Length Poetry, 2; because there was a tie between poetry and fiction, I let Shelle’s comment make the final choice, and went with fiction. She suggests “‘Always’ is so perfect as a stand alone [poem], delicious word food already, without needing the extra aioli…”.

a wee note on tardiness and stuff:
I’m a day late… and 200 words over my self-set limit of 313 words or fewer. The first was unintentional; I had an appointment that left me exhausted, and ended up taking a nap that lasted about 5 hours too many. The second bit was the cup’s fault… I’m not exactly sure where the cup came from… But once it got into the tale, it wouldn’t go away without morphing into something it liked—you know cups, my Luvs, stubborn like bloody mules.

Antique Always (Snape)
“Always” (quote from Snape, in Harry Potter) Antique Style Bronze Ring


22 thoughts on “Always

  1. *chillschillschills*
    I of course thought of Snape when I read the title of the poem at first! This story is so amazing, I love the cup!! Totally worth the wait 🙂

  2. Such a sad, but very brave tale. The courage of two people, so much in love and dedicated to each other, dealing with the aftermath of something that neither had control over with such compassion for what is going on is so inspiring. It was a wonderful story and a wonderful blooming of a great poem!

  3. Amazing! One thing jarred me a little, though — when the characters of Clara and Nathan were named. The story and its mysteries seemed (at least to me) to have greater impact when they were nameless — perhaps more universal and therefore scarier? I don’t know.

  4. The images in this are so immediate and real, and so surreal, that the nightmare almost walks(and bleeds) off the page. You work with symbols here so gracefully, without making them too ponderous or static–they are as they should be, living (if abstract) things which can affect us as much or more than so-called concrete realities. But your darkness is always dispelled by light, which makes this triumphant as well as subtle and stinging. Wonderful work, especially since taken from a single phrase of micropoetry.

    • I just finished reading this story for a friend, and after I was done, I realized that I might’ve still been thinking about “The Fortress”, by you *cough*, when I wrote this one; these words, in particular:
      living well with harmony or slaughter.”

      • P.S. I’m very please with how the blackout poetry and the bit of micro-poetry/fiction, I’ve been sharing on Instargram, nudges my brain into layers I didn’t even know were there… when I wrote the inspiring piece.

  5. It was beautiful, but a sentence really stuck with me, like those that sometimes get to follow you for life…
    …Why? He asked infinite questions with that word.
    This story was so intense!

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